Infusion Theatre
Critic's Pick - TimeOut Chicago
Critic's Pick - "For frustrated liberals (i.e., liberals), Last Supper's menu is almost too tempting. When the dinner guest of some lefty grad students turns out to be a Hitler-loving racist, his sudden, sort-of accidental death gives them a taste for offing the world's baddies.
9/4/06 - 10/22/06
Thu-sat 8p; Sun 3p
"In Dan Rosen's black comedy, based on his 1995 film, he imagines a band of no-longer-passive liberals who discover a means of political survival of the fittest: they invite blowhard right-wingers and fascist pundits over for dinner and, if they can't convince these homophobes, misogynists, Holocaust deniers, puritans, and racial supremacists they're wrong, they off them. (If only someone had done the same for Hitler in 1921.) InFusion Theatre Company's U.S. premiere, directed by Mitch Golob, is a fascinating study in rationalized extremism and self-righteousness. Reminiscent of Sweeney Todd, Arsenic and Old Lace, and the 2004 film Mean Creek, this is a play that dares an audience to take sides--and take the consequences" - Lawrence Bommer, Chicago Reader 9/26/06
"Infusion Theatre Company’s production of Dan Rosen’s “The Last Supper” is a delicious, witty, full course delight. This updated version of Rosen’s 1995 black comedy film, starring Cameron Diaz, Bill Paxton and Ron Perlman, contains biting, humorous references to many contemporary tragedies—both in the political spectrum and on the sublimely ridiculous level of Paris Hilton. After accidentally killing an opinionated backwoods war vet, five liberal grad students embark on a plan to rid the world of future Hitler types. Each invites a potential harm-doer to dinner. The person is questioned and if determined to be beyond hope, killed by being given poisoned wine. This set-up allows the supporting actors playing the victims to shine. The initial victim, played by Kyle Hatley, allows us to see beyond his harsh expletives to witness the soft underbelly of his pain. Blair Robertson perfectly masters the terrain of an awkwardly determined schoolgirl while Kevin Stark displays the tensely comic neuroses that comprise his woman dismissing character. Doug James, as an anti-left crusader with surprising undertones and James Farraggio as a kindly, gardening cop give the crown performances of the piece. The actors playing the students also give detailed, connected performances. They have the tough job of making the absurdness of their actions constantly believable. Admirably, they rise to the challenge, even when the script belies their efforts. Geoff Rice playing Peter, the least defined role, gives a deft and believably comic performance. Elaine Robinson and Lois Mathilda Atkins’ characters start out at opposite ends of the character spectrum and, skillfully, switch loyalties as the action becomes more and more outlandish. They provide the honey and spice, allowing the production to truly flourish and grow. Director Mitch Golob keeps things moving at a quick clip and is ably supported by his brilliant production team. Every dinner prop is believable and the sun shines through the windows in afternoon scenes as if it were true daylight. Stylistically, the comic one-liners in the production are priceless and covered in the syrup of bitter truth. Ultimately, though, you will not leave this production remembering just them. You will leave examining your own reality and realizing, once again, how hard it is to tell right from wrong in these wary political times. You will be reminded, once again, how easy it is to be conned by a devil even when you are at your most determined and true. For these revelations, alone, “The Last Supper” is vital theater and not to be missed" - Brian Kirst, Chicago Free Press 10/13/06
Author
Dan Rosen
Director
Mitch Golub
Performers
Lois Atkins, Phillip Brannon, Madison Dirks, Jim Farruggio, Kyle Hatley, Doug James, Geoff Rice, Blair Robertson, Elaine Robinson, Ed Smarmon, Kevin Stark
Production
Video Designer - Lucas Merino; Costume Designer - Amy Gabbert; Production Manager - Jimmy Binns; Prop Designer - Bridgette O'Connor; Stage Manager- Tara Malpass; Dramaturg- Joe Tracz; Set Designer- Grant Sabin; Fight Choreographer- David Woolley; Lighting Designers - Charlie Cooper & Michael Smallwood; Casting Director - Matt Miller (at TP&R Casting); Sound Designer- Shawne Benson; and Publicist/PR: Karin McKie