Voyage Cock & Bull Theatre

 

“Voyage” is beautifully realized; Gregory Pinsoneault’s mausoleum set and Matt Reich’s erotic nightmare soundscapes create a 

twilight world where such weirdness seems possible. When it’s over you feel like you’ve woken from a dream: intense, 
"disturbing and yes a little ridiculous" - NewCity Chicago

“Voyage” is beautifully realized; Gregory Pinsoneault’s mausoleum set and Matt Reich’s erotic nightmare soundscapes create a twilight world where such weirdness seems possible. When it’s over you feel like you’ve woken from a dream: intense, "disturbing and yes a little ridiculous" - NewCity Chicago

 

 


Voygage is for mature audiences only - 18+


Tickets: $25/$10 students; $15 industry



6/28/15 - 8/2/15

Fri-Sat 730p; Sun 4p


 

Voyage by Cock & Bull Theatre - Alex Huntsberger, NewCity Chicago 7/6/15 "If I were asked to describe Cock And Bull Theatre’s “Voyage” 
in one word, that word would be “Ridiculous.” But I don’t mean that strictly as a negative. The piece is indeed ludicrous, but if
given five words to describe it I would say, “Ridiculous in a good way.”  The play begins with a man, Henry Vixen (Eddy Karch), 
delivering his dead baby daughter to a mermaid (Tuckie White) for what I took to be the purposes of immediate resurrection and 
mermification. However, I’m not quite sure the baby was dead. Or maybe the ether Henry is also sniffing the entire time means 
it’s all a drugged-out fever dream. I genuinely don’t know.
The place is England circa 1799 and Henry is a doctor—one with a very loose definition of the Hippocratic oath. When he isn’t 
sniffing ether, Henry is making his wife Abigail (Kristen King) sniff it too, keeping her in drugged-out, near-amnesiac 
stupor—probably why she keeps hallucinating and conversing with a child puppet (designed by Stephanie Diaz). Abigail also 
yearns for the attentions of Henry’s tomboy cousin Fred (Meg Elliott), who likewise has her eyes set on Henry’s new patient:
 a wolf boy (yup!) named Thomas Steed (Casey Morris). Annie Baker this is not.
Then there’s the matter of Emily Jones (White), who submits herself to the perilous quackery of psychiatrist A.V. (Noah Lepawsky).
 Emily had a sister named Abi who had an abusive husband named Henry who came under A.V.’s care only to kill herself. Is Abi 
also Abigail? Is Emily her sister? This storyline takes place in 1969 so probably not; then again there are a wolf boy and a 
mermaid running around so who the hell knows…
What keeps “Voyage” from turning into a literal horror show is the skill that Cock and Bull brings to its execution. Directed by
 Chris Garcia Peak and devised by the cast, “Voyage” is beautifully realized; Gregory Pinsoneault’s mausoleum set and Matt Reich’s 
erotic nightmare soundscapes create a twilight world where such weirdness seems possible. When it’s over you feel like you’ve 
woken from a dream: intense, disturbing and yes a little ridiculous" (Alex Huntsberger)

Voyage by Cock & Bull Theatre - Alex Huntsberger, NewCity Chicago 7/6/15 - "If I were asked to describe Cock And Bull Theatre’s “Voyage” in one word, that word would be “Ridiculous.” But I don’t mean that strictly as a negative. The piece is indeed ludicrous, but ifgiven five words to describe it I would say, “Ridiculous in a good way.”  The play begins with a man, Henry Vixen (Eddy Karch), delivering his dead baby daughter to a mermaid (Tuckie White) for what I took to be the purposes of immediate resurrection and mermification. However, I’m not quite sure the baby was dead. Or maybe the ether Henry is also sniffing the entire time means it’s all a drugged-out fever dream. I genuinely don’t know. The place is England circa 1799 and Henry is a doctor—one with a very loose definition of the Hippocratic oath. When he isn’t sniffing ether, Henry is making his wife Abigail (Kristen King) sniff it too, keeping her in drugged-out, near-amnesiac stupor—probably why she keeps hallucinating and conversing with a child puppet (designed by Stephanie Diaz). Abigail also yearns for the attentions of Henry’s tomboy cousin Fred (Meg Elliott), who likewise has her eyes set on Henry’s new patient: a wolf boy (yup!) named Thomas Steed (Casey Morris). Annie Baker this is not.  Then there’s the matter of Emily Jones (White), who submits herself to the perilous quackery of psychiatrist A.V. (Noah Lepawsky). Emily had a sister named Abi who had an abusive husband named Henry who came under A.V.’s care only to kill herself. Is Abi also Abigail? Is Emily her sister? This storyline takes place in 1969 so probably not; then again there are a wolf boy and a mermaid running around so who the hell knows…


What keeps “Voyage” from turning into a literal horror show is the skill that Cock and Bull brings to its execution. Directed by Chris Garcia Peak and devised by the cast, “Voyage” is beautifully realized; Gregory Pinsoneault’s mausoleum set and Matt Reich’s erotic nightmare soundscapes create a twilight world where such weirdness seems possible. When it’s over you feel like you’ve woken from a dream: intense, disturbing and yes a little ridiculous"
(Alex Huntsberger)

 

 


From the Director - Voyage is an original theatrical production created by Cock and Bull, that explores our innate human desire to heal ourselves, and the lengths we go in order to be cured. Voyage takes place in two distinct periods of history, 1799 and 1969, when medicine and psychotherapy were still vast, unexplored frontiers. Cock and Bull utilizes fantastical realism, heightened design, video, and puppetry to take audiences on a psychosexual voyage spanning 300 years.


Cock and Bull strives to create imaginative theatrical experiences investigating identity, psychology and sexuality. Cock and Bull is a theatre collective based in Chicago and is committed to creating original live performance pieces, and deconstructing classical works in new and interesting ways. We create highly stylized productions with a focus on the emotional chaos of original and established characters.

Performers
Eddy Karch; Tuckie White; Kristen King; Meg Elliott; Casey Morris; Noah Lepawsky

Production
Gregory Pinsoneault (Scenic Design); Matt Reich (Sound Design); Scott Pillsbury (Light Design); Stephanie Diaz (Puppetry); Janie Kilips (Video Artist); Aiden Kent (Stage Manager)

Tags: Theater, American, 2015